Bishop's Gambol by Roger Agile

By Roger Agile

One of many hardest-to-find of the Traveller's significant other sequence, story of a tender Britisher's existence within the clergy. additionally excerpted within the moment Reader.

“I have by no means performed it with a bishop before,” acknowledged she, unhooking her brassiere.

“Nor have I with writer,” acknowledged I, unhooking my collar. “At least, I don't imagine so.”

“To let you know the truth,” stated she, stepping out of her gossamer panties, “I've by no means performed it with anyone.”

“Good heavens!” acknowledged I, my trousers at half-staff. “Do you suggest it?”

She nodded.

“I didn't recognize there have been any left.”

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Sample text

Y o u create specificity t h r o u g h details, whether they are details that distinguish one character's dialogue f r o m another or that describe e m o t i o n , a c t i o n , a l a n d s c a p e , o r the feel o f m o s q u i t o s b u z z i n g a r o u n d your m a i n character's recently pierced ear lobe the August 39 T H E JOY O F WRITING SEX night he loses his virginity i n Yellowstone N a t i o n a l Park by the light of a f u l l m o o n . T h o u g h the two are often confused i n writing about sex, being specific is different f r o m being explicit.

She wrapped one hand in my hair, the other around my left breast. " I ' l l cook you . just you wait. " " O h , h o n e y . " She tasted like frybread—thick, smoked, and fat-rich on my tongue. . Specificity to time, place, and cultural and geographical circumstances abounds i n this sexually explicit scene f r o m The Mambo Kings Play Songs of Love, Oscar Hijuelos' melodious novel about a pair of brothers, C u b a n immigrants, who become stars of N e w York's Latino dance halls i n the 1950s.

This is making love, B e r n a r d , " she said. " "Yes, but you know what I m e a n . " What does dialogue do for this scene? It's funny a n d f u n to as the characters are. It characters a n d thereby o u r interest a n d get us 36 read. It pulls the reader as close to the action delineates the differences between these two creates just e n o u g h gentle conflict to h o l d involved i n the m i l d struggle between them. "SURPRISE M E " A N D O T H E R LITERARY C O M E - O N S In a reversal of the traditional roles, Yolande is experienced a n d comfortable—the aggressor.

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